翻訳と辞書
Words near each other
・ We Can Replace You
・ We Can Report Them
・ We Can Talk
・ We Can Try
・ We Can Work It Out
・ We Can Work It Out (Andreas Johnson song)
・ We Can Work It Out (disambiguation)
・ We Can Work It Out (Sweetbox song)
・ We Can't All Be Angels
・ We Can't Be Friends
・ We Can't Be Stopped
・ We Can't Be Stopped (No Limit Records album)
・ We Can't Change the World. But, We Wanna Build a School in Cambodia.
・ We Can't Dance
・ We Can't Dance (band)
We Can't Go Home Again
・ We Can't Go On Living Like This
・ We Can't Go Wrong
・ We Can't Have Everything
・ We Can't Hide It Anymore
・ We Can't Love Like This Anymore
・ We Can't Stand Sitting Down
・ We Can't Stop
・ We Can't Wait
・ We Care
・ We Care a Lot
・ We Care a Lot (song)
・ We Cellar Children
・ We Change the World, Vol. 1
・ We Charge Genocide


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

We Can't Go Home Again : ウィキペディア英語版
We Can't Go Home Again

''We Can't Go Home Again'' is an experimental feature film directed by Nicholas Ray in collaboration with his film students at Binghamton University. Ray and the students play fictionalized versions of themselves.
The film was the major project of the last decade of Ray's life, and he and his collaborators continuously re-edited it. Rough versions of the film were screened at festivals as early as 1972 (including a Cannes premiere in 1973〔(【引用サイトリンク】title=Festival de Cannes: We Can't Go Home Again )〕〔() We Can't Go Home Again (Short Review), by Jonathan Rosenbaum〕), and the most well-known cut was completed in 1976.
Ray was still making alterations to it at the time of his death in 1979.
==Production==

In 1971, Nicholas Ray received an invitation to lecture at Binghamton University's Harpur College, which had at the time just established a film department.〔Gallagher, Cullen. (Not Coming to a Theater Near You: We Can't Go Home Again. )〕 This led to Ray being offered a two-year teaching position at the department, which had been founded by Larry Gottheim and the experimental filmmaker Ken Jacobs. Ray became close with his students, and together with them moved into a house off-campus where the group creating a filmmaking commune. There they began work on ''We Can't Go Home Again'', sharing all filmmaking duties.
The film was made using a wide variety of equipment and shooting formats, including Super 8, 16mm, 35mm and a video synthesizer which had been donated to the project by Nam June Paik.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「We Can't Go Home Again」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.